Monday 3 November 2014

Louise Bourgeois at Tate Modern

 
 
Louise Bourgeois at Tate Modern.
 
A four-room display of prints, drawings and books. Bourgeois returned to print-making in the 1990s.
 
 
 

 
 
Sleeping Man, 1994 (drypoint on paper)
 
 


Woman in a Bathtub, 1994

 


Toilette, 1994, (drypoint on paper)




Woman and Clock, 1994 (drypoint and aquatint on paper)





Birth, 1994, (drypoint on paper)


*   *   *
 
 
The following large-scale etchings were created in the last years of Bourgeois's life in collaboration with the publisher Benjamin Shiff of Osiris Press with whom she had worked since the late 1980s.

Showing both figurative and abstract elements these etchings are extraordinarily large: multiple prints were taken of some, while others became the basis of unique works with hand additions and sometimes collaged elements.



 


Love and Kisses, 2007




 
The Smell of Eucalyptus, No. 1 and 2, 2006
 



 
My Inner Life, 2008
 




The Unfolding, 2007
 
 
 


Look Up, 2009
 
 
 


 
A Baudelaire, 2008


 




The Nest, 2009





Les Fleurs, 2007
 
 
 
 


Turning Inwards, 2008
 
 
 


The Sketch, 2006
 
 
 


Are you in Orbit? No. 1, 2007
 
  


Are you in Orbit? No. 2, 2007
 
 
*   *   *
 
 
In the 1990s Bourgeois started using clothes and linens she had kept in her closets for decades. She made a number of fabric books and 'drawings' in collaboration with a seamstress whom she trusted to faithfully translate her ideas.


Bourgeois was interested in psychoanalytic interpretations of 'reparation', in which a subject makes amends for the instinctive violence enacted on a loved one, starting with the relationship between mother and infant. This concept fed her imaginative use of fabric and was explored through her portfolio of prints titled La Reparation.



 

 
Ode a la Bievre, 2007 
 
This fabric book presents an abstract visual poem to the river that ran alongside the Bourgeois family house. Its tannic water was used to fix the dyes in the wool-fibres used for tapestry restoration. As a symbol of the unconscious mind, water is a recurring theme in many of the drawings Bourgeois, a chronic insomniac, made during sleepless nights. For her, the repetitive, rhythmic act of drawing abstract, geometric patterns had a soothing effect.
 
 

 

 
What is the Shape of this Problem? 1999

*   *   *
 
 
The exploration of  birth, reproduction, motherhood, sexuality and human relationships were some of the themes that preoccupied Bourgeois in the last years of her life. She created a striking body of red gouache-wash drawings that explored these themes. 'If you hold a naked child against your naked breast, it is not the end of softness, it is the beginning of softness... it is life itself. I felt that when I represented the two naked bodies of the mother and child I can still her body and her love' - her feelings about motherhood were bound up with longing for her own mother.

 
 


Couple, 2009





The Feeding 2007





The Friendly Landscape, 2008




The Family, 2008
 
 
 
 
Femme, 2007
 
 
 

Couple, 2007





The Good Mother, 2008





The Birth, 2007
 
 
 


The Feeding, 2007





The Good Mother, 2007





The Family, 2009


 

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